CURATORIAL ART SERVICES
Elevate your practice through professional curatorial writing.
Arttyco now offers bespoke curatorial reviews for contemporary artists and galleries, written by our in-house team and published on our platform.
Whether you're preparing for an exhibition, building your portfolio, or looking to add critical depth to your work — a written review helps position your artistic voice within the global art discourse.
These reviews are designed to resonate with collectors, curators, and institutions while remaining authentic to your vision.
CRITICAL VOICE
​WHO THIS IS FOR
Visual artists working across mediums
​Galleries preparing artists for fairs, shows or launches
Curators or institutions looking for professional texts
Art professionals needing tailored and original writing
A thoughtful, in-depth curatorial review — ready to share.
A curatorial review lends credibility and meaning to your practice. It frames your work in a critical context, helps articulate your vision, and enhances the way your art is perceived — both online and offline.
Whether you're applying for a grant, exhibiting at a fair, or simply updating your portfolio, our reviews serve as a bridge between your practice and the professional art world.
Language adds value. Words open doors.
WHY IT MATTERS
​WHAT YOU RECEIVE
A professionally written text (4–5 paragraphs)
​Authored by Arttyco’s curatorial team
Reviewed and edited by our Creative Director
Published on a dedicated, shareable page on Arttyco
SEO-optimized to ensure online discoverability
Delivered in text and PDF formats for use in press kits,
websites, or exhibition materials
Curatorial writing tailored to each context.
Each review is the result of a close collaboration between Arttyco and the artist or gallery, crafted to communicate vision, context and meaning. Explore how our texts adapt to different moments and needs across the art world.
REVIEWS IN FOCUS
Artist practice reviews
Curatorial texts that frame the artist’s voice, vision, and evolving body of work.
Inge Gecas:
Invisible Threads
An in-depth look at Inge Gecas’s mixed media practice—where painting, photography, and natural elements meet to explore time, transformation, and spiritual abstraction.
Tom Roest:
The energy of drawing
Tom Roest’s intuitive painting practice brings together spiritual experience, antique materials, and inner journeys to translate transformation into visual form.
Ileana Moro:
Between stillness and spell
Ileana Moro’s work unfolds as a visual diary of shadow, silence, and transformation. Her paintings, suspended between presence and mystery, invite us to dwell in the poetic space where intuition and emotion take form.
Joséphine Verbist:
Walking the Edge of Wonder
An introspective journey into Joséphine Verbist’s abstract painting practice—where movement, memory, and emotion converge in raw, tactile compositions that resist resolution and embrace the poetry of uncertainty.
Exhibition reviews
Curatorial writing tailored to each context.
Organic Tissue — An Anatomy of Shared Memory and Radical Tenderness
Written under the looming threat of war and social fracture, this collective exhibition explores the body as a shared space—through grief, ritual, vulnerability, and radical care. Each work becomes a tremor in a larger anatomy of emotional and political survival.
Marta Kucsora – Liminal Spaces
A dynamic review written for Kucsora’s solo show in Budapest, exploring abstract gesture, physicality, and the tension between chaos and control.
Danielle Mano-bella – Sensitive Fields
This review reflects on Manobella’s intimate use of layered materials and translucent surfaces, offering a poetic reading of her latest solo exhibition.
Gallery & fair reviews
Texts developed to support gallery presentations and highlight their artists in the context of international fairs.
Mareo Rodriguez / Load Gallery
– Material Tensions
A press-oriented curatorial review for Load Gallery’s participation in AKAA Paris 2024, emphasizing the sculptural language of land, memory, and transformation.
TAAH – AKAA 2024:
Navigating Cultural Layers
Written to accompany TAAH’s presence at AKAA, this review connects ancestral knowledge, digital experimentation, and identity through hybrid materiality.
​HOW TO REQUEST A REVIEW
Simple and curated.
To request a review, just send us:
5–8 high-quality images of your work
A short description of your practice or current project
Reach out via email at info@arttyco.com
or DM us on Instagram.
Please note that this is a limited service — we only accept a few requests at a time to maintain the depth and attention that each review deserves.
OUR CURATOR
The voice behind each review.
Laura Acosta
Chief curator & Creative Director at Arttyco
Based in Europe, Laura Acosta is a curator and creative director leading Arttyco since 2020 — a platform dedicated to curating content, visibility, and strategic storytelling for contemporary artists, galleries, and art fairs.
With a background in architecture, interior design, and cultural management, her multidisciplinary practice blends spatial sensitivity, conceptual clarity, and strong visual direction.
Through Arttyco, she has collaborated with artists, galleries, and international fairs, offering curatorial texts, content strategies, and coverage of major art events. Her mission: to make contemporary art more accessible while amplifying the voice of each artist she works with.